Wednesday, February 22, 2017

Not Another Network War: CAUTIVA/HANGGANG MAKITA KANG MULI & LA PROMESA/ PANGAKO SA 'YO on PANAMERICANA TV PERU

NOTE: We initially published this post on February 14 with a title "CAUTIVA/HANGGANG MAKITA KANG MULI opens on Peru's Panamericana TV". At first, I resisted the urge to focus on the ratings performance of the two teleseryes being shown in Peru (Cautiva/Hanggang Makita Kang Muli & La Promesa/Pangako Sa Yo) because I didn't want to turn the whole thing into a de facto Pinoy network wars abroad. But on second thought, I decided it best to highlight them because the teleserye is at a point where it is really being noticed as one of the main nodes of the diversified Asian telenovela products. People there really are not aware of the network war brouhahas in the Philippines. They are mostly interested in the product itself, and I thought focusing on how they respond to each teleserye will give us a feedback on what ticks there.

To a Pinoy, the news that an afternoon Kapuso teleserye starring lesser known actors trounching a primetime Kapamilya blockbuster starring the country's top young loveteam  in the ratings in another country is surprising. It's important to emphasize they are not shown against each other but right after the other.

I reposted this because it has a nice comment section on how sensible Pinoy teleserye fans are monitoring the Peruvian reaction to teleseryes. You can watch the teleseryes from 5:30-7:30 AM Manila time at the Panamericana website. They are shown one after the other from 4:30-6:30 PM Peruvian time.


February 14, PERU time (February 15 in the PHILIPPINES): this new teleserye opens on Peru's Panamericana TV.

This ushers in a new period of teleserye history in Latin America, where two teleseryes will be shown one after the other for the first time from 4:30- 6:30 PM. Cautiva from 4:30-5:30 while La Promesa is heating up from 5:30-6:30 PM.


Sunday, February 19, 2017

Ian Veneracion sings Jose Mari Chan's REFRAIN

So, one of our more recognizable actors in many parts of the world where Pinoy teleseryes are shown, has a romantic singing voice. Teleserye has become one of the biggest telenovela products in the world, and an intercontinental hit like Pangako Sa 'Yo/ The Promise/ La Promesa/ Janjiku/айна, ensures that a dashing and competent actor like Ian Veneracion can become a known international actor.

I didn't know he could sing as well. So well, in fact.

Friday, February 17, 2017

BRIDGES OF LOVE showing on MNCTV INDONESIA

There are now three teleseryes showing on MNCTV Indonesia, one after the other starting at 8 PM (20:00 WIB): Double Kara, Bridges of Love & Forevermore.

Bridges of Love is the 6th teleserye to be shown this year in Indonesia.

Thursday, February 16, 2017

MY EX & WHYS earns 31.5 million pesos on its first day of showing

Well, if it's hot, it's hot. I didn't bother to post the trailer of this movie because I didn't want some characters who unfortunately found their way there to appear in my blog. We have some standards to uphold here. Anyway, I knew Lizquen (Enrique Gil & Liza Soberano) will shine above the litter or I wouldn't have bothered devoting many posts to them. I was sure the beauty of the pair could overwhelm all the tacky views which were unceremoniously mixed in into the product.

The prettiest loveteam is still pretty... Will this movie be the top box-office hit of 2017?


Monday, February 13, 2017

Teleserye Trailer: DESTINED TO BE YOURS Starring ALDUB

This is a milestone for GMA's top loveteam. Their first teleserye will be a test for the so-called Aldub Nation, how their actual numbers will be reflected in the TV Ratings. Definitely, one of the more suspenseful moments in Pinoy loveteam history. Will the AGB Nielsen & Kantar figures jive this time?

Sunday, February 12, 2017

MOON OF DESIRE/KHÁT VỌNG ĐÊM TRĂNG showing on Vietnam TodayTV

One of the more progressive in outlook among our neighbors is Vietnam. It had no qualms showing GMA's gay drama, My Husband's Lover. Now, it just started showing a "sexy" teleserye, the 2014 semi-scorcher starring sexy Meg Imperial & Ellen Adarna.

Passion de amor, next?

Saturday, February 11, 2017

DOLCE AMORE showing @ TV WAN Life Papua New Guinea

The Lizquen loveteam of Enrique Gil & Liza Soberano continues to spread their wings. This time, almost down under... just above down under actually 🌞... Papua New Guinea just above Australia.


Friday, February 10, 2017

CAUTIVA/HANGGANG MAKITA KANG MULI opens on PANAMERICANA TV PERU on February 14

Starting February 14, there will be two teleseryes shown on Peru's Panamericana TV. At 4:30 PM, the GMA teleserye Hanggang Makita Kang Muli (titled as Cautiva) will start its run. At 5:30, the ABS-CBN teleserye Pangako Sa 'Yo (La Promesa) hurtles towards the homestretch at its usual sked.

Wednesday, February 1, 2017

2017 GRANDMA UNIVERSE is Filipina Agnes Jakosalem

The 65th Miss Universe  has just been selected in Manila but we didn't win there. We prioritize the winners. We won in another one held last January 22 in Bulgaria. A grandma from Cebu, Agnes Jakosalem, won the grandma version.

Well, we still started the year right, by winning the first beauty pageant of the year. Even grandmas here know how to strut their stuff.

FOREVERMORE opens February 1 on MNCTV INDONESIA

 Indonesia will be the first country in Southeast Asia to fully enjoy the Big 3 Pinoy young loveteams. Kathniel of Daniel Padilla & Kathryn Bernardo  just seared the Indonesian TV charts with Pangako Sa 'Yo/ Janjiku and Jadine of James Reid & Nadine Lustre is still wowing them with On The Wings of Love. The first two loveteams have already won the hearts of Indonesian youths. I bet they will just as heartily welcome the third. Now, here comes the prettiest among the bunch- Lizquen of Enrique Gil & Lisa Soberano with Forevermore.

It was supposed to replace OTWOL. 10 PM their time. February 1.

ESCAPING THE KOREAN ASIAN TRAP: Can LA PROMESA do a JANJIKU in Peru?


So how is Pangako Sa 'YoLa Promesa faring in Peru?

Just recently, we were witness to a relatively lackluster start which ended in a skyrocketing finish of Pinoy teleserye Pangako Sa 'Yo/ Janjiku in Indonesia. In Peru, the teleserye has also started slow, will it finally pick up as it hurtles on to the finish line? In both cases, they were shown in relatively "un-stellar" channels. In Indonesia, the ascent of Pangako Sa 'Yo/ Janjiku created a wave that lifted the local channel shows to the top. Will the same thing be duplicated in Peru?

La Promesa is being shown in a station that is called by Peruvians as "cold antenna" (antenna fria)", just like TV5 in the Philippines. Panamericana TV generally fares low in the ratings. Just like MNCTV before in Indonesia in the beginning when  Janjiku was shown. But we saw later that as Janjiku rose up the Indonesian  charts in the homestretch, it took along with it to the top of the ratings the sinetron shown before it and the one shown after it (the former Ayu Ayu Anak Depok City & Untuk Selamanya for the latter). See first table where Ayu Anak Depok City was #7 while Untuk Selamanya reached # 14. It is not a surprise that both Ayu Anak Depok City & Untuk Selamanya dropped out of the Top 20 when Janjiku ended its run.


This phenomenon was also seen in Peru when the first Pinoy teleserye , Bridges of Love/Puentes de Amor, was shown. For almost a decade, South Korean dramas were shown in Peru but they were always at the bottom of the Peruvian rating charts, generally  earning 1-2 points as a matter of course  (hilariously, this perennial unpopularity was constant  but  their many Spanish propaganda websites were also constant in proclaiming they were popular). But when Puentes de Amor  unexpectedly became the top telenovela for the Panamericana station, earning double those normally earned by the kdramas, the kdrama shown before it was suddenly lifted too (earning up to then unheard-of 3 points). Moreover, the slot of Puentes de Amor , which was later given to another kdrama, inherited the ratings of Puentes de Amor for a while.  That should have made them happy,  but when another teleserye was bought (Pangako Sa 'Yo/ La Promesa), the now familiar strategy of scenes of "avid" Korean fanatics suddenly protesting exploded (they were perennially at the bottom of the ratings-  it's too much a stretch to believe they always manage to convert miniscule fans into combative fanatics, be it in the Philippines or Peru, but it seems this strategy was effective enough to "massage" executives, be it in the Philippines or Peru). It was surprising because both the South Korean & Pinoy teleseryes were shown in the same channel & at different times, so it makes you wonder why they trashed the Pinoys.  But it's easy to understand what was happening if you look back over the pattern of past events described in this blog- the constant sabotage of Pinoy artists in the international arena as described in our previous posts (See Tales of SABOTAGE in the sidebar). Especially that we first detected the sabotage done in a Spanish-language  pirate website when the  Pinoy film  Diary ng Panget became a hit among the Spanish-speaking Asian film fanatics. It was obvious that they didn't want to be upstaged by another Asian, especially Pinoys sharing the history and physical features of the disputed market. Now they were actually humiliated by Pinoy teleseryes in a Spanish-speaking public space.

The showing of La Promesa was delayed due to dubbing issues. Meanwhile, at this point, there were hossanas in their propaganda press that the persistence of the South Koreans after a decade of low ratings were paying off (understandably, nobody mentioned of the effect of Puentes de amor). It was written that "it was good they persisted" (understandably also, nothing was mentioned  what were the quid pro quo in exchange for the miracle of being shown for a decade despite their permanence in the bottom of the ratings).


Their gloating was short-lived, however. The kdramas soon returned to their familiar places in the bottom of the Peruvian ratings when La Promesa was finally shown. Below is the typical ratings of the shows of Panamericana TV. The 3 kdramas (Cuando un hombre ama (1 point), Los dos madres (0.8) , Melodia del Destino (1.4)) are permanent fixtures in the bottom of the ratings.



If you look at all the shows being shown in Peru- as always, they were at the bottom in the lowest-rating station..

As has been confirmed by this blog, the Pinoy teleseryes have always trounced the South Korean kdramas where they faced off everywhere in the world. In Peru, like everywhere in South America,  the South Koreans never managed to elevate the status of Asians, it just made them permanent in the bottom of the ratings. The arrival of a Pinoy teleserye therefore assured the teleserye of a dragging baggage. Could the teleserye trascend the heavy prejudice to Asians wrought by the unpopular South Korean dramas in the preceding decade? Fortunately, Puentes de Amor managed to soar a bit to heights not reached by the other Asian, but it's clear that the marketing of Pinoy teleseryes should be so  designed so as not to be trapped into being merely Asian, contaminated as it is by the long-standing South Korean permanence at the bottom of the ratings. The relative popularity of Pinoy teleseryes in Peru derives from their Asian Latin appeal, and we just hope the Latin appeal will engender enough connection to finally get off the Asian trap cultivated by the Koreans in the bottom of the ratings. La Promesa hasn't exactly reached yet the heights of Puentes de amor- but it is picking up.  Will it shoot in the homestretch too like in Indonesia?


UTO-UTO SYNDROME: The Folly of Philippine TV

Our TV ratings in the Philippines is comedic in a big way. We have two big multinational rating agencies proclaiming completely different results. On one side, we have AGB Nielsen used by GMA, TV5, CNN Philippines, Net 25, etc while Kantar has Abs-Cbn on the other side. I often laughed at the schizophrenic reporting I read on some sites. One post now could be declaring that Abs-Cbn shows were leading, according to Kantar, while the next post would proclaim GMA dominating, according to Nielsen. The weird situation satisfies the caprice & need of everybody- but still, one wonders, what is the true picture?

Even while I was championing the Big 3 young loveteams of Abs-Cbn, I was always baffled by the station being watched in Manila: be it in a dentist office, a canteen, a government office, etc., it was always turned on on GMA. I mentioned before, even my mother's TV was stuck on GMA. I myself don't watch TV very much, I am mostly connected to the web. Well, except local news.

I mostly thought low of GMA because of how it allows itself to be made inferior by Korean shows (I actually like  GMANEWS TV, mostly it had no political agenda like it should be, but I was often disgusted by the ShopTV & Korean shows that clutter what could be the country's finest news  TV; it could be the most credible news station around, with interesting travel & food shows, without the unrelated clutter).

Lately, in my early evening runs, running 7 kilometers through 2 subdivisions, I was struck by the sound of TV along the way. Again, GMA. I turn around in a public market where I drink buko & eat some fruits for electrolytes, rest awhile & I would see a TV turned on. Encantadia. Alyas Robin Hood. I lambasted GMA before in previous posts because of its unnecessary subservience to Korean delusions, but if you have noticed, I couldn't help lately but feature more & more GMA stars. Its popularity gnawed at me. But somehow, there was a disconnect between the popularity of its shows and the relatively lackluster radiance of its stars. To be sure, the station has great-looking stars but somehow, their visibility in people's screens were not translated into a more radiant stardom. Instead of cluttering its screen with the Korean shows, it could have copied the propaganda methods of the Koreans instead, and presto, it could have had bigger stars because they were easier to sell with their superior looks compared to the plain-looking Koreans.

Encantadia & Alyas Robin Hood are a watershed for GMA. It is resurgent & apparently the ripples have unnerved the competition. Abs-Cbn's strategy has always been to clear its competitor's swamp: recruit its stars, now it has been reduced to competing for the superfluous Korean shows. Which had low ratings mostly so you wonder why they even figure now in the game; they might just be resurrected because they suddenly became the bone of contention so would have to be publicized heavily to become viable.

I expected more from Abs-Cbn because it was supposed to be bigger. I could cut GMA more slack because it was supposed to be weaker. But both forgot they were big powers in many areas of the world because of the teleserye.

For all the low self-regard of the Filipinos in their home grounds, they figure high in  international waters. The teleserye is one of the biggest telenovela products in the world, competing in many areas of the world...& wonder of wonders, it is bigger than the Korean drama series in all the areas where they meet head on. How could they have been fighting over a product whose claim to ratings just came from propaganda in the local arena? Now they just might be forced to participate in the propaganda so they can sell their folly. And in the process make bigger their competition.

They forgot they are helping sell their competition which has been sabotaging them as they tried to make headway into the world (read Tales of SABOTAGE at the sidebar). Will it stop sabotaging them considering it doesn't have their looks (despite their propaganda that they are the most beautiful Asian "according to Asian themselves", the looks are the biggest reason why the Koreans were the perennial bottom-dwellers in the Peruvian & other non-Mongoloid charts for a decade now)  and their successes despite the lack of a propaganda machine?

Pinoys lack appreciation of their strengths. It appears we are still at the easily impressionable hillbilly stage, and seeing our biggest broadcast stations acting like uto-utos from the boondocks is really baffling...


THE MOST BEAUTIFUL BWA HA HA HA HA LIST

Actually, I was not aware of this particular 2015 list.  Nobody bothered to take it seriously because it was so ridiculous. It was a day when the meaning of Beauty became synonymous with Comedy. Pity, nobody lingered to savor the joke. More out of revulsion? I only got to know it yesterday. The undermining of resurgent Pinoy teen stars are still ongoing like I described in the Scandals series though it evolved into subtler undermining tricks after it was first exposed in this blog: in a forum where some Pinay teen actresses were being lauded, this list was suddenly uploaded, clearly intended to undermine. As expected, the list turned into a laughingstock instead. Apparently, the list is still constantly recycled in the propaganda network of the villains: they most likely treated it as a propaganda coup, though it was practically useless because only a few bother with them anymore anyway. They don't have to admit it but they have simply become washed-up years ago. The only noise remaining comes from their propaganda outlets. For a special purpose?

The list of supposedly "most beautiful people" were dominated by ordinary-looking South Koreans so that promptly destroyed its credibility. There was no hassle because there were no subscribers or readers who would withdraw their membership for pure revulsion (For one, when I use lists in this blog,  I use only accountable ones from magazines or subscription websites where ridiculous lists can mean withdrawal of  subscriptions or membership altogether). It was a website like any website, but apparently it was handy for psy-op operations like this one. Needless to say, it failed to deliver .

I decided to write about this now because it appears the villains have upped the level of  their delusion. Inadvertently, the new developments suggested a bigger conspiracy which would need updating our understanding of this issue. The hallmarks of a tired playbook were there: say some truths but speak more lies that could be confused with the truths. Show some really beautiful faces and insert simple faces that must be confused as beautiful too. The gimmick has become hackneyed: the list was simply ignored (though even true beauties Kathryn Bernardo & Liza Soberano were used as supporting cast to give credibility to the charade).

In the usual conversations about beauty among friends where beautiful people is the favorite topic, Koreans still don't figure at all though their propaganda machine is rampant here. The list was actually hilarious: the houseboy-looking rocker was supposedly one among the "Top 10 most handsome in the world" though I couldn't find any among my female & gay friends who doesn't think he's ugly. Gigantic leap indeed from being ugly to the Top 10 Most Handsome in the world, that's hard to beat! The "most beautiful girl of the world" was just as ridiculous: she was not ugly but definitely looked out of place among the really beautiful ones in the list (and none among them were her countrywomen).
         
 The problem is that the more credible lists might be degraded by ridiculous lists such as this. Of course, we know this pseudo-affirmative gimmick has been done so many times before by pretentious campaigns that people are now jaded. Many, like me, laughed when they actually saw it. So did all my friends.

My college professor friend thinks the South Koreans are being used. The question is for what purpose?  I first thought that this was a simple pro-Mongoloid campaign but my  friend had a different take: This looks like a pro-Mongoloid campaign on the outside but the fact that the promotions done were lopsidedly in favor of the South Koreans over the Chinese & Japanese (who incidentally have far bigger markets & relatively more interesting culture & people) revealed  another story. Throwing some crumbs to the Chinese & Japanese  was just done to recruit them to a Mongoloid campaign which actually has its ultimate aim in their own denigration, especially to the Chinese, the main target. For example, China & Japan were given 4 slots each in this Top 100 list but 8 were given to the South Koreans. More critically,  they were made irrelevant in the international  promotion infrastructures given to the Koreans. For one, the Koreans were even allowed to use the illegal pirate sites for promotions  and we know who actually control these sites. The Korean promotion is to give them a headstart as the trendy & beautiful Mongoloid face of Asia, undercutting the ascendancy of the soft power potential of the resurgent Chinese, the feared cutural hegemon of the near future. An unorthodox  geopolitico-cultural war?

What do I think? Frankly, I couldn't care less. People have long seen through these tired social engineering  gimmicks. My only concern is that now that their perennially unrequited desire to be the most beautiful Asian is undercut by the popularity of the Cute Pinoys who became resurgent despite the lack of a propaganda machine, what will that make of the Cute Pinoys? More sabotage?

AKO AY NANDIDIRI: When Having Sex Means Puking At Each Other, When Marrying Means Swallowing One's Vomit

Most of the contributors to this blog are gay and they are all well-educated, two of them are medical doctors and one is a free-thinking college professor. I sought their help when I decided to get serious with this blog. I don't have much time to read about Pinoy showbiz news nor watch teleseryes but I have these showbiz addict gay friends who now always give me the heads up on showbiz happenings. It was actually my gay assistant who informed me about the Pacquiao alleged gay slur drama. Four of the gay contributors were present in the coffee house when we discussed this and our discussion really opened my eyes. There's another side to this issue & I thought why shouldn't I be the champion of this side through this blog.

Most gays don't join this fake bandwagon sorrounding Gay Marriage. For one, this issue makes the typical Pinoy gay puke. Straight guys here are cheap & a self-respecting gay won't be caught sucking another gay man. As one said,"Lalaki ang hanap nila, di pekeng lalaki!* In fact one bravely commented:"I am gay but I am a proud homophobic. I puke merely thinking of having sex with another gay man".

Now why would a self-respecting gay marry somebody who makes him puke when having sex with? How can love grow when they vomit at each other?

In effect, Gay Marriage is a campaign to politically blackmail gays to swallow their vomit & have sex though their whole being is telling them to puke. Just so they belong? How foolish.

Just like the fact that Blacks are still the poorest after all the Black minority rights campaign, it turned out Gay Mariage doesn't matter in the end because so few gays ultimately marry  in those countries which adapted it. Somebody chose to forget most gays actually would rather puke than have sex with each other.

I took this info from Theworldofstraightmen.blogspot.com:
Let's look at Holland, the first country which adapted Gay Marriage in 2001:


As you can see, the biggest number was in the first year (the suckers were probably excited by all the political pang-uuto in the first year) but the interest gradually fell with each year, dropping very low indeed. If there would have been a clamor for Gay Marriage there, it should have been increasing, but the small numbers just kept declining proving this was merely a useless political stunt. Somebody just wanted to manipulate gays for a political aim (I'll discuss this in Part 2). With this paltry result, why bother with all these noisy political noise especially in a country like the Philippines where gays have refined taste and having sex with another gay man makes them vomit? Reminds me of all the big headlines about  the fight for Black minority rights from the 60's but circa 2015 the US Blacks were still burning Ferguson & Baltimore because they would turn out to be still the poorest.

The clamor for Gay Marriage is fake because most gays are revolted by the thought of having sex with a gay man, how much more wed one? Of course, there would still be a few with strong stomachs who can fool themselves to swallow their vomit and say it is love but should we even have to change our way of life centered on an important institution like family just to kowtow to every marginal deviant? Should we disallow beauty pageants just because it would discomfort the majority ugly? Should we shoot the paltry rich just because they offend the majority poor?

Even the  poster figure in the local LGBT scene, a comedian named Vice Ganda turned out to be a connoisseur of straight basketball players. If he is sincere in fighting for gays, why shouldn't he be a true gay model, why doesn't he flaunt a parlorista lover instead? Is money involved in these kinds of campaign? The LGBT groups here, who financed them before they hoodwinked the hooked members to contribute the token funds (the main fund comes from the dark sponsors?)?

Really curious...


It gets curioser in Part 2

SCANDAL!!! PART 6: I Can Not Be Corrupted, Sorry! It Won't Be Fun Anymore so No Way

About 5 days ago (August 6, 2015), the figurehead of the propaganda front masquerading as fan club of Pinoy artists in the Post-Soviet space contacted me in my VK account and offered me to relieve him in his post. That in effect, I can become the new administrator AKA figurehead of their propaganda front whose lies I just began to document and expose (so far I exposed one in my blog & another one in my VK account). He admitted that at least 95% of what they were publishing were true (only 5% were lies?) but he claimed it was his companions who did those without his knowledge. I'm not judging him if what he's saying was true, he might have been actually used because it's de rigueur that propaganda fronts use innocent figureheads to pretend plausible deniability. Needless to say, I rejected him outright. Not out of any emotional reasons, but more on practical considerations. The propaganda front was established there for a particular reason and they are not to stop now. But the fact they were found out, documented and exposed has already produced the effect I was expecting: they have to make it appear they are not what they actually are and make good 100% in what they are doing. The Pinoy artists will only benefit for the meantime. In fact, I've toned down my VK account, limiting myself only to publicity of the Pinoy artists with films being shown in Kazakhstan and let them feature more Pinoy stars. I only do this for fun, but that's their career.

Above is part of the message of the Admin of the Fake Pinoy Group (We use direct Google translation  in order that I won't be accused of putting my own interpretation): "I have noticed that you are keen on Filipino culture, you do not want to become a manager in the group? Will no longer be propaganda, and I will give all the control to you. I have very little free time"


 But of course, the 5% lies are what that front is about. It's just a matter of time, every animal has its own DNA which it has to act upon... but even then, we've been tipped off beforehand, we will be there waiting.

 Now, if they indeed had seen the light and reinvent their genes, so much the better. Anyway, their work is really puny in the scheme of things. The Pinoy artists have already made inroads that even the villains haven't achieved in that area, and Pinoys won't need them as much as they needed to piggyback on the Pinoys in the limelight. As we have shown, this front is used by the villains to capture the Pinoy fans as ready captive for South Korean propaganda (Scandal 4 & 5).

 With this latest turn of events, we saw how they really operate, but which I expected because that's the textbook procedures in counterpropaganda: coup d'etat at the top. Reminiscent of the move to turn in the stars who were the original target of the initial sabotage, or the blatant influence on admins of some local fan clubs.

 Frankly, I don't find the South Koreans as threats. They have very obvious deficiencies which are fatal roadblocks to their big ambition (Plastic Surgery has its limits, for one). It's actually funny that they were caught doing what they were not supposed to be doing (just like the politician being caught dipping his fingers to the pie: if he was not caught, nobody would have been the wiser). But these are mere hiccups if they want to set things right.

 As I mentioned, I made a deliberate decision to limit myself in my VK account on the stars with films shown in Kazakhstan (or any place in the world where they are hot, for that matter). That is now beginning to be felt on my blog. This blogging is supposed to be fun, and I find it more fun monitoring the inroads of the Pinoy stars in their international forays. So far, I find only few of our local stars as interesting and it would be more fun zeroing in on only those who are interesting.

 As to the question of James Reid, have I really turned my back after the Houseboy-looking Rocker incident? My change in tactic was just a coincidence. In the beginning, I fed mostly Jadine articles because I was always thinking of my South American readers, my initial international readers. Moreover, ever since I stoked a diversionary intrigue to deflect the blowback of the Para Sa Hopeless Romantic flop on the Jadine love team, readers have looked to this blog as a Jadine fanatic. Wrong, it was just that I saw some bad moves, and it was like instinctively saving a baby from being run over by a speeding car. But the fact that I was mostly featuring the team limited my audience. When I started featuring Lizquen, the deluge of the readers made me really think but I played it slow so as not to offend. Then I got my perfect alibi: the Houseboy-looking Rocker incident was a perfect time to shift gears. I actually received unsolicited emails which said they understood. Whatever they understood, I am not sure. If ever On The Wings Of Love is shown in Kazakhstan or anywhere else, I'll be promoting them again. The Houseboy-looking Rocker Incident didn't mean a thing: James Reid will still have his handsome face so that means the villain still lost. They sabotaged him because fans loved his handsome face in the first place.

KAPIT-TUKO KOREAN-STYLE: Anatomy of the Fake Fame & How To Cling Desperately (plus Tips on How To Mob an Unknown in an Airport)

I'm a keen student of the use of Propaganda and that is probably the appeal of Showbiz to me (that is, besides Politics, another propaganda-driven enterprise). Most of the reality we see is mostly propaganda, especially politics. And once you see the "script", "reality" loses credibility, like what is happening to the mainstream political press where it is not so taken seriously anymore these days. While the gullible would still be expected to be the majority, there would come a time when you are not sure anymore, like now. When the tricks have been revealed, the magic is gone. You can feel the shift in  the dynamics & everybody can appreciate the true  reality more clearly once the propaganda was unmasked.

Same in Showbiz. If you have read the biography of the Rolling Stones, you would have known the various tricks to propel their popularity. When they were just starting, their manager hired people to scream, to present a fake popularity which the gullible entertainment press lapped up & consequently wrote about a hot new band, triggering the subsequent bandwagon of real fame (they still had no money to bribe in the beginning so the innocence of the press was genuine).

Reading the Comments in this blog actually led me to discover another propaganda mirage. One of the biggest propaganda creation is the so-called Korea Wave. At a time when the so-called Korean boybands supposedly sold hit albums after hit albums (when nobody could be heard singing their songs), the local producers thought there was a new trend so they created their copycats as usual instead of investigating who was the real buyer of the albums. While previous trends (which up to then only came from the West) produced local hit groups, nobody among the Kpop copycats succeeded. Was there really a trend, or just a propaganda ruse? True, songs from boybands a la One Direction were hot locally in the airwaves- but why the immediate demise of the local kpop copycat bands? Were some here, who were supposed to know better, still not capable to distinguish the true from the fake before committing their cash to a supposed trend?

 One could expect novelty as an initial kick to a phenomenon but when a bandwagon did not arrive for the fake one, the ruse would eventually implode. Like what has happened with the Koreans. Actually, if you read the propaganda sites created to pretend popularity, it is humming the usual pretend narrative as if nothing happened. But, as a reader once commented, it took a little blog like ours which pricked the balloon of propaganda. Suddenly, reality focused: low-rating of kdramas, no Korean melody in the airwaves (no  budget to support their own albums for a decade?), etc. That is how flimsy the "popularity" was, you don't have to do much, just redirect the attention to the fact. This also happened in Peru: if you read Korean propaganda, they were very popular in Peru. But this blog discovered that they were shown there for almost a decade, true- but all those time, they were in the bottom of the Peruvian charts, earning 1-2% rating, managing to be noticed slightly only when the Pinoy teleserye Bridges of Love (Puentes de Amor) was shown there & consequently upgraded Asian profile. One can only guess the reasons how they managed to be shown for a long time there with those low ratings and it's definitely not due to their popularity. What was clear was, as one reader put it, their lack of shame in pretending popular & clinging kapit-tuko in a market which has been resistant to them for a decade. What better proof of unpopularity?

Frankly, all of these should have been  something to just laugh about. But unfortunately, they were apparently willing to sabotage a fellow Asian- the Pinoys-  just so they could delude themselves & believe their own  propaganda (read Tales of SABOTAGE in the sidebar). Part of the kapit-tuko package of delusion? It's obvious they will sabotage (more assiduously) for a long time yet.

These are interesting times because they are undertaking big efforts to reshape back reality to the narrative of their propaganda. Their propaganda machine is doing double-time in regaining whatever momentum they thought they had. Unfortunately, the basic reason why they didn't succeed, & won't succeed again, is (as one reader put it) they didn't look the part. They can't change how they look no matter how Plastic Surgery advances, or how strong the propaganda noise, so we know how this still would end up.

But at least, we could learn from their propaganda tactics. We definitely should be wiser before we commit our cash to a supposed trend. Also, we could definitely use the modus operandi of using fake fans. One can always blame  fake fans as scapegoat- they can be as noisy or  combative when protesting for you no  matter if you are a permanent inhabitant of the bottom of the ratings like when they protested the Pinoy teleserye "La Promesa" in Peru when they sensed the Pinoys had more appeal to a market which rejected them for a decade. Oh, anyway, the fake fans don't have to be combative always- they have their other uses too. They can be ordered to mob you no matter how unknown you are in the airport.



Tuesday, January 24, 2017

TOMORROW BELONGS TO ME/ SANA BUKAS PA ANG KAHAPON showing on ONTV NIGERIA


The Nigerians must love this teleserye. It was shown on another Nigerian channel, Televista (the trailer below is theirs), but ONTV just got to show it too. The Bea Alonzo starrer must be pushing the right buttons in Nigeria.

Televista & ONTV are owned by the same group, Consolidated Media Associates.

Monday, January 23, 2017

THE IMPOSTOR/ IMPOSTORA showing on Star TV Tanzania


This GMA teleserye was released in the Philippines 10 years ago yet (2007) but it just opened at primetime (6 PM) on Star TV Tanzania. It stars Iza Calzado & Sunshine Dizon. So many things have happened. The former has already transferred to rival ABS-CBN & the latter just returned to teleserye-making after a brief hiatus (AKA stormy marriage).

The trailer below was published on the page of Star TV Tanzania (though it had markings of Citizen TV in Kenya because it was also shown there, with English sub, at one time).

I guess, hit teleseryes never stops from being in circulation.

video

Saturday, January 21, 2017

DOBLE KARA shortly on MNCTV Indonesia


On Monday, MNCTV will be featuring 3 Pinoy teleseryes , one after another,  on primetime starting at 8 PM WIB with Doble Kara at 8,  Untuk Selamanya/Magpahanggang Wakas at 9 and On The Wings of Love at 10.

Let's see how Doble Kara will fare this time. There is a functioning TV rating system in Indonesia so we can track the response of the market. After Africa & Myanmar, this will be the third foray of the teleserye in foreign shores.

Friday, January 20, 2017

KÝ ỨC TÌNH YÊU/ HIRAM NA ALAALA showing @ Vietnam Today TV


The GMA streak is really continuing well into 2017. The 2015 teleserye stars Dennis Trillo and Kris Bernal.